Manny Ling (rmit vietnam)
The installation titled 'Mycelia Inkblots' draws inspiration from the intricate growth patterns of mycelia—the thread-like structures found in fungi. Through the medium of ink on absorbent paper, the artist replicates the organic processes observed in nature. Each inkblot becomes a unique entity, embodying both beauty and occasional chaos. This installation delves into the underlying concepts of a mycelial tapestry — weaving a generative network of simplicity, complexity and interconnectivity found in mycelial ecosystem.
The installation invites viewers to contemplate the interplay between organic generative processes and artistic expression. By observing the inkblots, we explore themes of uniqueness, interconnectedness, and the delicate balance between order and disorder.
The inkblots emerge spontaneously, guided by the flow of ink. Some appear weightless, suspended in the air like spores carried by the wind. Others assert their presence with bold, invasive forms that intertwine and overlap—an organic generative state. The layering of inkblots creates a network—a mycelial tapestry—where each element contributes to the whole.
Each inkblot possesses its own form and voice. The artist’s hands, ink, and water transform simple entities into intricate microcosms. Just as fungi exhibit diverse shapes and behaviors, these inkblots express their beauty in myriad ways. Occasionally, this beauty veers into the unconventional and even the destructive, mirroring the complexity of natural ecosystems.
The installation becomes an immersive encounter where the viewers can explore the mycelia inkblots from both sides of the paper, revealing hidden details and alternate perspectives. When a light source is applied (perhaps using a smartphone), the inkblots come alive—a transient dance of shadows and illumination. This interactivity underscores the ephemeral nature of life and art.
Mycelia Inkblots serves as a metaphor for existence itself—a reminder that beauty emerges from chaos, and individuality contributes to the collective whole. As viewers engage with this living tapestry, they become part of the ongoing dialogue between art, science, and the natural world.
Materials:
Chinese Xuan paper scroll approximately 6000 cm x 30 cm
Chinese Ink
Chinese Brushes
Pipette
Water
Manny Ling
Dr. Manny Ling holds the position of Acting Deputy Dean at the School of Communication and Design and oversees the BA Design Studies program as Senior Program Manager at RMIT Vietnam. His unique perspective as a Chinese practitioner in the realm of Western art and design has significantly shaped his creative practice. Dr. Ling is captivated by the interplay of contrasts and contradictions in his work, exploring themes such as the intersection of traditional craftsmanship with digital innovation, the fusion of Eastern and Western aesthetics, the balance between historical reverence and contemporary expression, the harmony of motion and stillness, the elegance of simplicity against the richness of complexity, and the interplay between meticulous planning and creative spontaneity.
Comments